It felt as though the actors actually acted for me and they would go home to their families and live their normal life.
DIL TO PAGAL HAI MOVIE NAME MOVIE
There were two flaws with the movie, one being that the story is weak, and two being that after the movie was finished I felt as if I saw a theatrical performance rather than a real movie. Were my expectations too high? Maybe—but those expectations were for this movie to be perfect, a ten out of ten-point movie—even without the emotional attachment of Lamhe or DDLJ. A feeling that I am satisfied with what I expected from this film is just not there. That magic that Dilwale Dulhania Le Jayenge or Lamhe had after watching them wasn’t there. But this film didn’t make me feel that way. Every time I come out of a film feeling special or enlightened, I give it a 10. So why not ten out of ten points? There was something missing from this film. The handling of the dialogues by Yash Chopra may make the dialogues better than they actually were, but they worked well in the context of the movie. The dialogues by Aditya Chopra showed off his young talents.
Many other directors destroy films at their endings, especially films with weak scripts. Yash Chopra’s direction stresses his experience and delicate handling of the movie. The choreography and technical aspects of the direction during the songs show off the real beauty of Yash Raj Films. The music sounds even better in the film than on cassette. Madhuri Dixit, as Pooja, shows off her talent as an actress, and this role may bring her back into the numero uno spot, as it was left up for grabs because many big name female character films flopped this year. Her talents, shown off again after Raja Hindustani, may make her a mainstay in the film industry. His role as Rahul is played valiantly and may be deserving of an award. From there, the story rolls to the finale quite peacefully. Pooja is arranged to marry Ajay (Akshay Kumar), a businessman from London. As Rahul starts making this play with Nisha in the lead as "Maya", she gets injured, and the real "Maya", Pooja (Madhuri Dixit) arrives. Nisha, madly in love with Rahul, once tells him about her love.
The lone female dancer in his team is Nisha (Karisma Kapoor). Rahul (Shah Rukh Khan), a director, starts with describing a new play that his performing team is going to put on "Maya", translated as "illusion". The story is fairly simple, and may be the only thing lacking in the movie. Nothing could have gone wrong, right? Well, maybe. Anand Bakshi’s mastered the lyrics one more time. The music director, Uttam Singh, relatively unknown before this album released (except for a few albums in the eighties), reached a high with his compositions. To start off the music is released and within a month the songs have hit the number one position on the charts and are breaking records all over the world. This is also the first film Shah Rukh Khan acts with Yash Chopra as director after the mega-success Darr. Expectations are high, as this is the first film that Madhuri Dixit acts with Karisma Kapoor and Shah Rukh Khan alongside. After twenty-seven years of Yash Raj Films, two years after the mega-success Dilwale Dulhania Le Jayenge and Yash Chopra’s son, Aditya Chopra’s, first directional venture, Dil To Pagal Hai releases. Public Rating Average: 5.12 / 10 (rated by 414 viewers)Įverything boils down to this. Let us know what you think about this review Music Review
Reviewed by: Avinash Ramchandani - Rating: 9.0 / 10 Starring: Shah Rukh Khan, Madhuri Dixit, Karisma Kapoor, Farida Jalal, Sp.
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